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The Synth-Pop Duo's Creative Genius Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell with Marc Almond at Leeds during 1977

Dave Ball, one half of the groundbreaking 1980s electronic music duo Soft Cell, has died at the age of 66.

Together with vocalist Marc Almond, the pair scored a global success with their cover of Gloria Jones' Tainted Love in the mid-80s, and their first record Non-Stop Erotic Cabaret is considered a classic of electronic music.

He subsequently formed the pioneering electronic act The Grid, who achieved popular acclaim with their 1994 single Swamp Thing.

Ball died peacefully in his rest at his home in London on Wednesday 22 October, just weeks after playing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.

Recent Health Challenges

At that performance, Ball performed in a wheelchair, as he had for the last two years, following a period of health issues.

"I ended up damage myself quite a bit," he commented in a recent interview. "I fractured spinal bones in my back and fractured about multiple ribs and fractured my arm."

After catching pneumonia and developing blood poisoning, he was placed in an induced coma and remained in the hospital for half a year.

Nevertheless, he had been in "high spirits mentally" during the warmer months, as he worked on a new album with Almond, called Danceteria, which is scheduled for publication next year.

"He was focused and very pleased with the new album that we literally completed only a short time ago," said the singer in a tribute.
"It's truly heartbreaking as next year was all set to be such an positive time for him, and I take some solace from the knowledge that he listened to the completed album and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the vanguard of the synth-pop movement in the early 1980s

Tributes

Almond described his bandmate as "an exceptionally talented musical genius", adding: "He was the heart and soul of Soft Cell and I'm extremely pleased of our body of work.

"Thank you Dave for being an immense part of my life and for the songs you created with me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, also paid tribute, remembering Ball's "endless laughter" and "unwavering friendship".

"Forming a partnership with someone is distinct from being in a group, the bond is very tight," he added.
"That was the case with us. We experienced so many extraordinary, incredible, life-affirming experiences together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in recent years

Formative Years

Born into a one-parent family in the city of Chester in the late 50s, Ball was given up for adoption when he was a year and a half of age.

He was raised in Blackpool with his new family his caregivers, who changed his first name from his birth name to David, alongside his younger sister Susan, who was also adopted.

He met Almond at an art college in the late 70s, where they were both studying art. Inspired by a mutual passion of Northern Soul, they established Soft Cell the very year, and promptly recorded an extended play.

Creative Collaboration

The duo were an unusual combination: Ball was the quiet musician, hunched over his synthesizer, while Almond was a flamboyant performer, all glitter and makeup; but they attained a unique musical alchemy.

Ball had cultivated a fascination with synthesizers after watching Kraftwerk appear on BBC science show a popular series, and began to combine moody electronic sounds to the catchy tunes Almond was writing.

Tainted Love became the UK's second most popular single of 1981, selling 21 million copies globally. Together with hits by other artists, contemporary bands and electronic acts, it contributed to cleared the path for the synth-pop sound of the 1980s.

The track was also featured on their full-length debut, Non-Stop Erotic Cabaret, which spawned two further high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the stand-alone single, Torch, which peaked at the second position in 1982.

Soft Cell in the studio
The pair were developing fresh songs until just before Ball's passing

Professional Journey

Fame had its upsides. "I loved being able to afford my first home, having financial security and exploring, which might seem like a beauty queen," Ball not long ago shared with a publication.

But it also caused problems. "Sudden riches allowed we could purchase newfound drugs to relieve the monotony" of media interviews and television shows, Ball explained.

"I know that's a common saying, but it's a cliché for a valid cause, because it works for so many bands."

During the party-filled existence, the duo were also drifting apart, but they succeeded to produce a second classic album - the unconventional, edgy and fittingly named The Art Of Falling Apart.

They released another LP, 1984's This Last Night In Sodom, before ending the group to concentrate on other projects.

Almond proceeded to have a prosperous solo career, including the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who combined dance music with melodic sounds over a long-lasting collaboration.

Reunions and Final Projects

Soft Cell came back together in the early 2000s, releasing the charting album Cruelty Without Beauty.

After a further hiatus, they returned in recent years, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a final performance at the O2 Arena on September 30, that year.

However, they remained active, recording their latest project, Happiness Not Included, during the pandemic Covid lockdown.

Ball recently characterized the band's new album as a tribute to the New York club scene they frequented while recording their initial records.

He noted that his period in medical care had influenced the group's music.

"I had unusual memories when I was in and out of hospital because I was on pain medication," he explained to a music magazine.
"Our latest tracks are a electronic representation of the sounds in my mind from that time.
"Simultaneously, it's about the experiences we had in the 1980s."

The last versions were finished only days before Ball died. It is scheduled for release in the spring of 2026.

The writer

Shannon Kemp

A seasoned gaming analyst with over a decade of experience in the casino industry, specializing in slot machine mechanics and player psychology.

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